![]() ![]() If a MIDI controller looks fantastic but isn’t easy to use, we will make it clear in the review. Once everything is set up, using the controls should be intuitive, not complex. If they don’t auto-map, then the process should be as straightforward as possible. A good MIDI controller should be compatible with all major DAWs, and in some cases, they will even auto-map controls. Next, we focus on how well a controller integrates with popular DAWs and plugins. Typically, features that score well are responsive pads and assignable controls, etc. ![]() But, to score well, the features should be things that enhance your workflow or add performance elements. We start by going through the features on offer. That’s why we put a lot of focus on how well MIDI controllers perform in the studio and on stage. We can pretty safely assume that most people who buy a MIDI controller are interested in production or performing (or both). ![]() MIDI controllers function by triggering sounds/responses from software or MIDI-compatible hardware. So, we have to take sound quality off the table straight away and focus on other areas. The main reason for this is that MIDI controllers don’t generate or process any sound. How we review and rate MIDI controllers is a little different from how we work with regular keyboards or digital pianos. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |